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Essay on literature and science
of lonely contemplation. Even more than these differences - to which I shall revert in a moment - there is a certain contrast in the emphasis on form and content, on the methods and results of science and literature. The second law of thermodynamics predicts an eventual heat death for the entire universe, a grotesque climax for all our hopes and ambitions. Science, as much as literature, is an effort to grasp the truth. In overt ways or only surreptitiously, emphatically or only mildly, science has been leaving its imprint on the literature of the peoples who have experienced the jolts of scientific thought and discoveries. The view of the scientist as a helpless groper chained to the crass world of tangible reality is a very misleading one. Not only did Bacon decry the tortuous literary styles of his day which, he felt, sacrificed matter for manner of presentation, bullet points in apa research paper but the Royal Society exacted from its members "positive expressions, clear senses, and avoidance of swellings of style and urged them to bring all. To the superficial observer, indeed sometimes even to the devotees of the fields, the two may strike as contrasting endeavors as different from each other as day and night.
The Cloud of Unknowing and contemporary scientific understanding of cloud formation not only reveals how this is achieved, but considers what this means for both modern works of popular science and other literary texts. The Birth of Mankind. Its breadth of coverage both in terms of textual chronology and disciplinary exposure combined with its multiple methodological approaches to the subject are further strengths, making this a useful textbook for any scholar in the field.
Literaturwissenschaft is recast not as the plodding, Teutonic search for certainty or at least exhaustive documentation but as "the marker of irreducible conflict, preposterous confusion, or felicitous allegiance" between the literary artifact and the claims of science, literary or natural. Yet it holds little interest for anyone other than a literary scholar, and in that sense proves to be the least interdisciplinary essay within the whole collection. Epigenesis: Naturphilosophie im Sprachdenken Wilhelm von Humboldts (Schöningh, 1994) and its expanded version, Self-Generation: Biology, Literature, Philosophy around 1800 (Stanford University Press, 1997 appeared. But when he spoke of the raptures as one strives. The intellectual dichotomy between the scientific and the literary intellectual is certainly not of recent origin. Science has been defined as "organized knowledge "trained and organized common sense "systematic classification of experience etc. The scientific world view may therefore seem meaningless, not to say distorted, to the uninitiated. I believe there is an explanation for this: In spite of the fact that poetry is intensely personal and science is intentionally international, the creations of the poet are more easily shared by people at large than the findings of the scientist.